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Monday, June 23, 2014

changing seasons.

When you choose to spend the summer solstice at 11,000 feet, there is likely to be snow. Taken in the Ice Lakes basin, San Juan National Forest, southwest Colorado.


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Mushy starfish and washed-up sea lions

Here’s some shocking news: Since last fall, when I first wrote about Pacific sea stars falling victim to a mysterious disease, turning into goo and dying, the aptly-named “starfish wasting syndrome” has not – as scientists hoped – subsided on its own. It’s gotten much, much worse.

How much worse, you ask? Well, from the get-go, this iteration of starfish wasting was more widespread and severe than previous outbreaks, which have historically spiked during warm-water El NiƱo years and then quickly subsided. By the time it was identified late last summer, the disease had already caused localized die-offs of up to 95 percent of ochre sea stars in Santa Cruz, California, and was spotted as far north as Alaska. Tens of thousands of starfish simply wasted away and died, literally before researchers’ eyes.

Yet it seemed for a while that Washington and Oregon would be spared. This May, just over 1 percent of ochre sea stars in Oregon were affected. But now – a mere four weeks later – an estimated 30 to 50 percent are dying, and scientists predict a 100 percent mortality rate in some places. In parts of Washington’s San Juan Islands, mortality jumped from 10 to 40 percent over the course of a single week in June, and the disease has now been confirmed in more than a dozen species. “This is an unprecedented event,” says Bruce Menge, a marine biologist at Oregon State University. “We’ve never seen anything of this magnitude before.”

By now, you might well be wondering what’s behind this intertidal horror show. Funny you should ask. Though the outbreak has prompted a slew of research and emergency funding from the National Science Foundation, no one really knows. We’re 11 months into an epidemic that could wreak havoc on entire ecosystems from Mexico to Alaska, and we can’t pin down the cause. It’s like the bubonic plague is striking our oceans, and we’re stuck in the dark ages...

Read the rest of the story here: http://www.hcn.org/blogs/goat/dying-starfish-washed-up-sea-lions-and-other-marine-diseases-leave-too-many-questions

starfish wasting 2

Monday, June 2, 2014

Mudslide!

It looked like lava and sounded like a freight train. That’s how locals described the sea of mud and debris that flowed down the green foothills of western Colorado’s Grand Mesa on Sunday afternoon, carving a path of destruction 3 miles long and a half-mile wide. Three men missing from nearby Collbran are presumed dead; rescue efforts have been halted by mud that’s up to 250 feet deep; and though the slide occurred in a rural area away from most homes, it came within 25 feet of a natural gas drilling pad with three active wells.

“It’s an understatement to say it’s massive,” Mesa County Sheriff Stan Hilkey said in a press conference on Monday. For comparison, the mudslide that captured national attention and killed 43 people in Oso, Washington, in March covered one square mile. The Mesa County slide was eight times that size, and the biggest difference appears to have been luck: unlike in Oso, residents of Collbran simply hadn’t built homes in the path of natural disaster.

The county’s oil and gas wells, however, are a different story. Though the mud just barely missed a drill pad operated by Occidental Petroleum Corporation, 16 additional wells sit below the current slide, and Mesa County isn’t in the clear just yet. Temperatures are expected to reach 85 degrees Wednesday afternoon, kicking snowmelt into high gear and increasing the risk of another slide. “There’s an unofficial consensus that an additional slide is likely,” says David Ludlam, executive director of the West Slope Colorado Oil and Gas Association, an industry trade group.
 
Lynn Highland, a geographer with the U.S. Geological Survey’s National Landslide Information Center, agrees that a second slide is a real possibility. She also underscores what High Country News contributing editor Judith Lewis-Mernit recently pointed out: There’s no database of the thousands of precarious hillsides looming over homes and infrastructure in the West. The last national map of landslide risk was released in 1982, and as climate change increases the frequency of the freak rainfall and rapid snowmelt that lead to giant mudslides, the map has grown obsolete, Highland says...

... Read the rest here: http://www.hcn.org/articles/colorado-mudslide-reveals-risks-in-energy-planning-1

Wednesday, May 21, 2014

What 'unstoppable' Antarctic ice melt means for coastal communities

Save for a freak May snowstorm, the other day started off normally. I woke up, made a giant mug of coffee and walked to work. But May 12 was no ordinary Monday.  “Today,” said Eric Rignot, a glaciologist at the University of California, Irvine, “we present observational evidence that a large sector of the West Antarctic Ice Sheet has gone into irreversible retreat. It has passed the point of no return.”

Language that strong isn’t often tossed about at NASA news conferences, and the world took notice. Climate change advocate Protect Our Winters called it “the day that all climate scientists feared.” Mother Jones coined it a “holy shit moment for global warming.” The well-known Canadian environmental writer Chris Turner tweeted that it’s “the most important news story you'll see this week, by a wide margin.”

So what’s all the fuss about – and why should you care? In the most basic terms, two separate scientific studies, using two different models and released by two reputable scientific journals, both came to the same conclusion: Glaciers on the West Antarctic Ice Sheet are melting more rapidly than expected and have begun a domino effect that’s virtually unstoppable, even if we cut off greenhouse gas emissions today. Over the course of hundreds of years, the melting glaciers will boost ocean levels by 4 to 16 feet, changing the geography of the world as we know it. ...

Read the rest of the story and see super cool images of what it all means for coastal cities here. 

Monday, May 19, 2014

slot canyons and sweet desert spring.

 Some long overdue photos from Easter weekend in Grand Staircase-Escalante National Monument, Utah.



























Wednesday, April 23, 2014

Tar/sand

After four dusty days spent slithering through slot canyons and scrambling over boulders in Grand Staircase-Escalante National Monument, this morning’s walk is notably refreshing. Steve Defa, a 59-year-old psychotherapist from Escalante, Utah, is leading me up a sandy wash shaded by big ponderosa pines and smaller pinyons. The air is fragrant with pine needles and sage after last night’s rain; the air pleasantly cool.

After a mile or so, we emerge into the canyon country for which the monument is known. Sandstone walls pocked with shadows and studded with green rise on either side. “This is backpacking heaven,” Defa says of his 1.9 million-acre backyard. “There’s more here than a person will ever get to in a lifetime.”

Soon, though, he picks up a tar ball the size of a brussels sprout and rolls it in his hand. I notice a young conifer bent sideways from a flood, its upper branches looking like they’ve been dipped in tar. Plants growing in the wash are black and brittle. “This is where it really begins,” Defa tells me, ducking under some bare willows. An acrid smell creeps into the fresh morning air; it smells like hot summer days of my childhood, when the new asphalt poured into cracks in the pavement became soft and gooey and I’d poke it with a stick.

A quarter-mile more and we come to an eight-inch layer of crude, dried to the consistency of warm asphalt and mixed with gravel and rocks. The layer extends four miles up Little Valley Wash, varying in depth and composition as it meanders across the landscape like a greasy black snake. Similar scenes can be found in three nearby washes, all of which drain into the Escalante River – a tributary of the Colorado – and all of which spill down from Death Ridge, a plateau on which Houston-based Citation Oil operates 19 wells. ...

... Read the rest here: http://www.hcn.org/blogs/goat/tar-sands-un-reported-escalante-oil-spill-raises-questions-about-clean-ups-in-remote-places

Tuesday, April 15, 2014

Utah river journal

Day 1: travel

J. and I meet at a free climbers' camp near Moab, and though I don't climb – the very idea of hanging off that red monolith in the distance makes my heart beat fast – I like the climbing culture. There are probably 30 people here and last night everything was silent, a handful of fires burning under the stars, the bobbing headlamps of some stragglers coming off the approach in the dark. I slept in a cocoon of warmth and happiness and woke this morning to the bright blue skies of a desert spring, flowers unfurling in the morning sun, a man strumming a guitar beneath a juniper. J. has left to meet some friends for a kayaking trip to the north and I'm leaving soon to drive south and meet another group of friends on the banks of the San Juan River. Our paths intersect where they can, sleeping on a bed of dirt under the stars, and I love it. I love it all.

I dreamt last night that I climbed a tree – a very large, very gnarled old tree. I hung from a branch with my arms and legs wrapped around it like a sloth. I hung for a long time; for months maybe. Time passed in a gloomy gray light with no distinction between day and night. One day, I made the choice to swing my arms up in the kind of all-or-nothing move that a climber makes to reach a just-out-of-grasp fingerhold. I can't recall now whether I fell or climbed higher.



Day 2: river

A river is a living thing, a vein pumping the muddy blood of the desert. Early in the spring of a year with little snow, we hardly have to dip our paddles into it except to steer. We drift downstream, watching the landscape change from sandy floodplains crawling with cottonwoods to undulating hills of red sand to sheer canyon walls pocked with shadows and studded with sage. Across it all, the sky is tugged like a sheet snapped tight. We are on river-time now; dream-time.

It feels like the most natural thing in the world to float down this river with friends, surprising stock-still herons in the shallows, trailing my fingers in the water. But I can't help knowing that the tamarisk choking the banks aren't supposed to be there; that the dam upstream allowing more people to live in this scorched country has tamed the spring floods and prevented the river from reaching its natural floodplain, an area once farmed by ancient people now blowing dry with tumbleweeds, another non-native plant. But what's native, anyway? Everything comes from someplace else, and most things move on after they pass through here.

We climb high above the river to an ancient cliff dwelling, to the stone rooms and windows of the ancestral Puebloans, the Anasazi. The ones who left. We find potshards and thousand-year-old corncobs gnawed clean, and – tucked away in a secret alcove away from prying eyes and potential vandals – a piece of skin placed gingerly on a rock, with a lone stitch that's withstood centuries of wind and sand. A scrap of fabric from another world, another time. It humbles me. 






Day 3: rock

Even in March, the desert is a land of extremes. At night the water turns to pans of ice, and I curl in my sleeping bag with my hands jammed between my legs, waiting for the kiss of sunlight. And then in a blink it's afternoon and we're scrambling for shade beneath a blazing sky.

The desert is defined by water, by the river devouring the land. Yet twenty minutes of walking later it's as if such a thing never existed, and you're in a canyon so dry it cracks your lips and crumbles at your touch. Each rock is as distinct as a snowflake. In places it's hard and smooth, strata of glass and molten rock poured over grainy substrate, sensuous tendrils of black and red. In places it's terraced, so many layers in a single vertical foot that to look up at the towering walls is to comprehend millions of layers. Alone, each is flaky and unsubstantial, but together they comprise monuments.

Elsewhere, the canyon walls are dripping with an alkaline water that builds into coral-like globules, nubs of stalagmites sprouting from the earth. Sometimes the rock is green, tinted by minerals or slimed by algae. In places it's crumbled into billions of pebbles, each a different color and shape; and in places it's been pulverized to sand, sometimes white, sometimes red. Under certain overhangs, the rock is gray and rotting, and stepping beneath it is like walking on the dry ash of a fire that's burnt out and gotten cold.

How slowly do you have to move to learn the shapes and colors of a landscape, to memorize its names and absorb its mysteries? Here, I think, it would take forever: a lifetime of lifetimes. Even at our leisurely downstream pace, we miss much. Walking, I can see more, but sometimes I think the only way to see anything at all is to stop moving. When I'm still, I see two birds couple in midair, almost violently, and I don't know whether they've fought or made love. They freefall together for a brief moment and break apart before they fall to the earth. 



 


Day 4: wind

More extremes: This time, wind. Last night was much warmer but windy, and this morning's blue sky was swiftly replaced by a soft-gray cover of clouds. Made it four miles through the biggest rapid of the trip before getting slammed with wind. Absolutely pummeled. The kayak and canoe could've pushed on, but the raft was getting nowhere. We pulled off and ate lunch huddled next to a rock while watching the wind blow whitecaps upstream. Then we found a flat-ish spot and killed four hours drinking whiskey, putting up a giant tarp and abandoning it, sitting a cave, drinking more, getting silly and wondering if we'd be forced to spend the night there. Luckily, just before dark the wind died down and we scrambled to pack the boats and shove off. Made it a mile before getting slammed with another wall of wind. It's good to be out with four other guides – when we need to get shit done or make decisions, there is no mucking about. That night, our boats were unpacked, camp set up, fire crackling and dinner cooked in under 40 minutes. Our faces and hands are raw with wind-burn. There is sand in my teeth and up my nose. Tomorrow we'll make an early start to get off the river. 




Day 5: home

Back home in Colorado, a red-wind terror sweeps the valley, knocking branches of trees and whipping freshly-plowed fields into the sky. The sky is red with Utah sand, kicked up hundreds of miles away and now sticking to our windshields, traveling on currents of air across state boundaries. Utah follows me home; the desert won't let me go so easily.

So this is spring in this part of the world. Dry and violent, a kiss of fire. Tomorrow, I will plant peas, and I think I'll stay home for a while. 


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