More
than anything else, being a competent guide is about knowing a place;
knowing it with a certainly that allows you to guide other people
through it safely and confidently. It is one of the things I like
about guiding – it draws upon a sense of place, builds upon a
connection to one specific place in this vast world. This is what we
are trained to do, we who come in from far away to work for a season
or two in what is surely one of the world's most beautiful
landscapes: Piopiotahi, or, more mundanely, Milford Sound, in New
Zealand's Fiordlands. After a few weeks we are able to recite facts
and figures, understand what the weather will do when a westerly
blows in from the Tasman Sea, point out geographic landmarks. But we
do not yet truly know this place. Each day, one moment at a time, we
are discovering its secrets. That is our job. That is what we are
paid to do.
The
people we take out sea kayaking are simply passing through, wanting
to hear the facts and stories that make this place unique among so
many others, wanting to have memorable experiences and take
photographs to bring home. The travelers are like gusts of wind, a
slurry of faces and names swept away by camper vans and rental cars
and tour buses each evening, bodies wrapped in different variations
of a theme, the same GoreTex jackets and zip-off pants, the
brightly-colored nylon and synthetics of outdoor travelers. They are
good people, most of them. They've traveled far to get here, taken a
120-kilometer road through the mountains and come out on the other
side into a different land, wanting only the trip of a lifetime, the
trip they've been saving for and waiting for and planning for, and we
are here to deliver it.
But
we too are only passing through. Milford Sound is in a national park,
a world heritage site, thousands of acres of public land owned by no
one and administered from afar by the government of New Zealand. It
is soggy, inhospitable and ridden with sandflies. Even Maori people
didn't set up permanent settlements here – they walked in on a
55-kilometer track, loaded their dugout canoes with seafood and
greenstone, and carried them back out. No one can claim to be from
here; not one person has grown up among these towering cliffs and
dripping beech forests, where dolphins leap under snowy cliffs and
penguins waddle through green underbrush. No one owns land here.
Does
that somehow make it less real, that we cannot claim this place as
our own, that we cannot build lasting communities here? Or does it make it
more real, knowing that our time is fleeting, that even in the 21st
century we are unable to harness such an untamed place? Maori legend
says that after the demigod Tu created Piopiotahi with his greenstone
adze, the goddess of the underworld cast millions of sandflies upon
it to ensure that no one would linger here too long, that man would
not become idle in the face of such beauty and destroy it. This is
the reason there are no permanent residents of Milford Sound.
Even
after just a few weeks, there is a part of me that wants to live in a
“real” community, a place with schools and local government, not
somewhere that feeds almost solely off of tourism with a little bit
of commercial fishing thrown in. But what is the definition of
community? If it is a group of people who care deeply for each other
and the place they live, then this is as real as it gets. When I take
people out on their kayaking adventure of a lifetime, they sometimes
ask me if I like living in such a remote, isolated place. I tell them
the truth. I tell them I love it.
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